Thursday, February 4, 2016

Married Woman Seeks Cat


“The Cat in the Rain” by Ernest Hemingway is a simple story about a young American couple vacationing in Europe. Although their marriage appears unexceptional, several aspects of the story suggest a flawed relationship beneath the couple’s façade of happiness. The conversation between the husband and wife begins innocently enough as the woman indicates she wants to rescue a stray cat in the street below from the inclement weather. It does not take long before the conversation escalates into an argument that shows the wife’s extreme dissatisfaction with her life. However, at the end of the story the tensions dissipate as the cat is brought to the hotel room, and the wife is at least temporarily appeased.
            When the woman first mentions the titular “cat in the rain,” her husband responds, “I’ll go get it,” without making any move to get up from the bed or put down his book. His apathy begins to hint at the underlying problems in their marriage. After his wife’s initial failure in finding the cat, tensions begin to run high. His wife expresses her general frustrations with her current life:
            “I want to pull my hair back tight and smooth and make a big knot at the back          that I can feel,” she said. “I want to have a kitty to sit on my lap and purr when I stroke her.”
            “Yeah?” George said from the bed.
            “And I want to eat at a table with my own silver and I want candles. And I     want it to be spring and I want to brush my hair out in front of a mirror and I       want a kitty and I want some new clothes.”
            “Oh, shut up and get something to read,” George said. (…)

            While the wife’s many wants may initially seem to be frivolous, a careful reading reveals something of substance. Her repeated desire for a cat implies that she feels a lack of companionship with her husband. This theory is clearly supported by his curt responses. Moreover, earlier in the story she mentions that she dislikes her short hair, despite the fact that her husband emphatically states that he prefers it short. She repeats this complaint in the quoted passage. I think it is possible that her desire to let her hair grow out suggests her yearning to break free of the control of her husband.
            At the end of the story, the woman calms down. She says, “(…) If I can’t have long hair or any fun, I want a cat.” Almost as soon as she makes this proclamation, there is a knock at the door and her wish is granted by a maid holding a cat, presumably the one she noticed in the rain.
            This story, though quite distinct and seemingly simple, has the same thread of disillusion and loss that runs through most of the stories in Hemingway's In Our Time. Again and again, Hemingway deals with a character's disillusionment, whether with love, marriage, war, faith, or, ultimately, life.  He somehow manages to present big emotions in simple scenes, as in this one about a woman who wants a cat.


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A few weeks ago when we were still reading The Things They Carried I stumbled across this website that talks about a current exhibition about the book, and I figured I would share it now:

http://www.nvam.org/AboutEducation-ThingsCarried.xml

Tuesday, January 19, 2016

The Weight of War


In The Things They Carried, Tim O’Brien opens with the titular short story about the physical weight of all the weapons and equipment that the soldiers in this anthology must carry through the battlefields of Vietnam. While this first story also begins to discuss the psychological “weight” that the soldiers must carry as well, the rest of the stories pile it on, so to speak, and add to this “weighty” theme. One could interpret many of the short stories in this book as more entries into the list of “things carried.”
            “Spin,” the first story of substantial length after “The Things They Carried” (I think of “Love” simply as a continuation of the first story), is full of examples of this emotional baggage. O’Brien portrays several incidents during the war, culminating with his greatest burden of all, the man he killed. This event is discussed in much more detail later in the book. The next story delves further into O’Brien’s psychological torment before he went off to war. He describes his anguished attempt at dodging the draft and fleeing to Canada, before he realizes the “weight” of his actions and decides to stay in the US and report for his service.
            After this point, O’Brien begins to discuss the “heavy” psychological burdens carried by his fellow servicemen. Some stories fit into this theme better than others—the story about Rat and Curt Lemon is a perfect example of this, while Rat’s story about Mary Anne doesn’t quite fit into this mold. However, all in all, I am reading this collection as a cohesive narrative about the hidden—and not so hidden—cost (or weight) of war.